(1591e1592, or 1595, Hulst-30 June 1678, Antwerp) was a Flemish Baroque painter. De Vos was born in Hulst near Antwerp, now in the Dutch province of Zeeland. Like his older brother Cornelis and younger brother Jan, he studied under the little-known painter David Remeeus (1559-1626). He specialized in monumental animal scenes, especially hunts for aristocratic patrons, that are heavily influenced by Frans Snyders (to whom his sister Margaretha was married). De Vos became a master and joined the guild of St. Luke in 1620. As was frequent amongst artists in Antwerp, De Vos frequently collaborated with other painters. He painted animals in hunting scenes and armor in mythologies by Peter Paul Rubens and his studio. He also worked with Thomas Willeboirts Bosschaert, Erasmus Quellinus II, Anthony van Dyck, and Jan Wildens.   Related Paintings of Paul de Vos :. | Portrat der Ms. Eleanor Urquhart | The Edge of Doom | Presentation of the Medallion sg | Arab or Arabic people and life. Orientalism oil paintings 445 | Young woman at her toilet |
Related Artists:
BARBARI, Jacopo de
Italian Early Renaissance Painter, ca.1440-1515 Italian painter and printmaker. He was the first Italian Renaissance artist of note who travelled to the courts of Germany and the Netherlands. His earliest known works appear to date from the late 1490s, suggesting that he was born c. 1460-70. The birthdate of c. 1440 traditionally assigned to him reflects the misinterpretation of a document of 1512 in which his patron, Margaret of Austria, Regent of the Netherlands, awarded him a stipend because of his 'weakness and old age'. In fact, at this date a man could be described as 'old' while in his fifties or even younger.
Nicolas-Antoine Taunay
painted Le Theatre de la Folie in 1805(1805) until 1810
Thomas Phillips
(18 October 1770 - 20 April 1845) was a leading English portrait and subject painter. He painted many of the great men of the day including scientists, artists, writers, poets and explorers. Phillips was born at Dudley then in Worcestershire. Having acquired the art of glass-painting in Birmingham under Francis Eginton,[1] he visited London in 1790 with an introduction to Benjamin West, who found him employment on the painted-glass windows of St George's Chapel at Windsor. In 1791, he became a student of the Royal Academy, and exhibited there, in 1792, a view of Windsor Castle, followed in the next two years by the "Death of Talbot, Earl of Shrewsbury, at the Battle of Castillon," "Ruth and Naomi," "Elijah restoring the Widow's Son," "Cupid disarmed by Euphrosyne," and other pictures. After 1796, he mainly confined himself to portrait-painting. However, the field was very crowded with the likes of John Hoppner, William Owen, Thomas Lawrence and Martin Archer Shee competing for business; consequently, from 1796 to 1800, his exhibited works were chiefly portraits of gentlemen and ladies, often nameless in the catalogue and of no great importance historically-speaking.